The Abominable Snowman (1957; Val Guest; written by
Nigel Kneale) is another of Nigel Kneale’s excellent genre pieces that combines
sci-fi, horror and adventure seamlessly into a film that provides much food for
thought—bringing in themes of parallel evolution, telepathy, and mankind’s
eventual suicide via nuclear annihilation—
While being a fun B-movie that’s perfect for the Summer:
During a heatwave, there’s nothing better to watch than suckers either freezing
to death or getting chased by Yetis.
Veteran of Hammer horror Peter Cushing stars as a
botanist studying in the Himalayas who is semi-unwillingly recruited into an expedition
to catch a “Yeti,” the legendary “Abominable Snowman of the Himalayas” (this
film’s alternate title).
The actor plays a great combination of urbanity,
experience and kindness; he’s got a cool head, and uses the scientific method.
He’s also the most empathetic character, trying to ease others’ discomforts,
and respectful of nature.
As they climb higher and higher, a series of mysterious mishaps befall the expedition, but they persevere and eventually
get their monster: By trapping, then shooting one of the 10-foot-tall creatures
and killing it.
Meanwhile below, at the monastery the climbers are
using as a base camp, the chief llama seems to be getting signals from the
craggy peaks…
With the exception of Cushing, the explorers (led by a
low-key but forceful pre-F-Troop
Forrest Tucker, in what DVD Savant calls his “finest performance,” and
I have to agree) think the Yetis are nothing more than dumb animals, like a
type of gorilla or bear.
Boy, are those guys wrong….
The Abominable Snowman is a remarkable
and rational adventure/suspense tale that skirts with science fiction in its
postulations: The Yeti of the Himalayas are not “the missing link” between man
and apes, but are a race perhaps older than mankind, with superior mental
abilities, like telepathy.
A bit talky, The Abominable Snowman often feels like an adapted radio play (it was however a
BBC TV movie first, titled The Creature)—but
it is still engrossing, covering many topics uncommon for “genre” flicks, like
evolution, cultural respect, and humanity’s foolish pride in its so-called
“exceptionalism.”
Nor does the film make anyone out to be an abject hero
or villain—if you’re a fan of Kneale’s writing (like I am—my review of his
excellent ghost story The Stone Tape is HERE), you’ll recognize the quality of his work, and its literate
background.
Best known as the creator of the acclaimed Quatermass
series for UK film and television, Kneale is a very “writerly” storyteller,
with much information being given via dialog; but he keeps it snappy, like you’re
eavesdropping on very smart people having a serious conversation.
Technically the film is quite good, expertly combining
studio and (stock?) footage of mountain climbers, and making good use of its
few sets. Wisely, the Yetis are hardly shown—but just enough…
Director Val Guest is a sci-fi regular, also helming
flicks like the classic The Day the Earth
Caught Fire, When Dinosaurs Ruled the
Earth and several episodes of Space:
1999—as well as the first two Quatermass films when they were produced by
Hammer.
Guest’s movies tend to be very low-budget, but the
writer-director knows how to keep things effectively moving and/or tense; he is
an unheralded journeyman director who covered all genres.
LERNER INTERNATIONAL originally screened this film
on-line, but the movie’s YouTube account has been pulled; it is also available
on DVD. Search around, The Abominable
Snowman can be found.
Forrest Tucker would return to British sci-fi/horror
the next year in The Crawling Eye,
where he plays a character similar in temperament to Cushing’s in Abominable Snowman: calm, cool and
level-headed, as well as kind to strangers (he risks his life saving a little
kid from the giant cosmic eyeballs).
Released in the UK as The Trollenberg Terror (but I prefer the “cheesier” American
title), The Crawling Eye is like a
pre-X-Files (or, keeping it
UK/Kneale-bound, like a Quatermass adventure), where a team forms around a
dynamic male-female duo to solve a horrific mystery—which turns out to have a
science fictional explanation.
BTW, Kneale’s 1968 TV movie, The Year of the Sex Olympics, is still on my “to write” list, but
the film was so mind-blowing to me (it’s already at the top of the list for “Best Old Film Discovered This Year”), that I need to screen it again to assess my
thoughts properly. Thanks for your patience!
(RED ALERT: I just found Kneale’s 1976 famed-but-unseen-in-the-US
horror mini-series Beasts on YouTube—can’t
wait to watch it!)
So much to do, so little time! I must learn to be
patient…like the Yetis…waiting on their frozen mountaintops…for mankind to
destroy itself…
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